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Setup
Reference and video I/O setup, canvas layouts, and signalling setup.
Color Correction
The color correctors can operate as Processing Amplifiers (Proc Amps) in the HSL (Y-Cr-Cb) color space or as RGB Color Correctors in the RGB color space. Proc Amps and RGB Color Correctors apply color correction to video on input to the switcher, before the crosspoint, and on the output from the switcher. Correction applied to the input video is then available to all MEs. Output based correction is only available on output BNCs 5 to 14.
High Dynamic Range (HDR) and Wide Color Gamut (WCG) Conversion
To Set the Video Output Dynamic Range and Color Gamut
You must assign the dynamic range and color gamut of output video for that source to be converted.

Setup
Reference and video I/O setup, canvas layouts, and signalling setup.
- Network Connections
  The switcher requires a network connection for the DashBoard interface as well as any control panel you want to use.
- System Access
  Enable or disable system access and control methods such as RossTalk and FTP.
- Video Reference
  The flexible reference system in the switcher allows you to use an Interlaced video format as the reference to operate the switcher in a video format of the same frequency. Choosing a progressive video format as a reference limits you to operating the switcher only in that same video format and frequency. For example, if you have a 1080i 59.94Hz input reference you can operate the switcher in 720p 59.94Hz, but not 1080i 50Hz. However, if you have a 720p 59.94Hz input reference, you can only operate the switcher in 720p 59.94Hz.
- I/O Groups
  Inputs and outputs on the Ultra 60 frame are identified by the slot the board is installed in and where the BNC is located on the board.
- Video Inputs
  External video sources come into the switcher through the input HD-BNCs and internal sources are generated internally. Depending on how you want to use these video sources, or where they come from, you may want the switcher to pair them together, or associate an external device with them. Pairing two video sources together is usually used for an auto select key where an external device, such as a character generator, outputs both a key video and key alpha. Associating a video source with an external device allows special control over that device to become active when you select the source on a bus.
- Video Outputs
  The frame has a number of output HD-BNCs that can have any video source in the switcher, including Media-Store channels, aux bus, and clean feed assigned to them.
- MultiViewer
  The MultiViewer allows you to view multiple video sources from a single output BNC. Video inputs or outputs on the switcher, including Program, Preview, and Media-Store channels, can be assigned to any box on the MultiViewer.
- MultiScreen
  MultiScreen works by breaking your display into individual panels. Each panel is represented by a tile in MultiScreen and the entire display is represented by the canvas.
- Splicers
  Splicers allow you to use DVEs to position up to four sources (2×2) on a single output. This can be used to position and stitch together the canvas outputs (MiniME™/Tiles) for the downstream LED processors.
- I/O Processors
  The Input/Output Video Processors are independent video processing engines that allow you to perform FSFC and color correction functions on specific inputs or outputs. Once an I/O Processor has been assigned to an input or output, it can be used to frame sync, format convert, and color correct.
- Frame Sync and Format Conversion
- Frame Delays
  A delay of up to 13 frames in can be added to any input that I/O Processor is assigned to. This allows you to delay the timing of an input to compensate for the delay in another source. For example, in a virtual set environment it may take a few frames for the system to track the position of the camera and render the background. In this case you want to delay the foreground cameras to compensate for this delay.
- System Real-Time Clock/Date
  The switcher uses an internal clock to generate the time for the clock overlay for the MultiViewer.
- 1RU Audio Breakout Unit (ABU) Setup
  The ABU provides the audio inputs and outputs for the switcher. A video loop between the switcher and the ABU passes all audio signals.
- Audio Output
  Audio sources from the Media-Store can be embedded into a video stream if you do not have the Audio Mixer option.
- MADI Setup
  Supported SFPs and audio output mapping.
- Color Correction
  The color correctors can operate as Processing Amplifiers (Proc Amps) in the HSL (Y-Cr-Cb) color space or as RGB Color Correctors in the RGB color space. Proc Amps and RGB Color Correctors apply color correction to video on input to the switcher, before the crosspoint, and on the output from the switcher. Correction applied to the input video is then available to all MEs. Output based correction is only available on output BNCs 5 to 14.
  - To Assign a Color Corrector to a Source (UHDTV1 Only)
    You must assign a color corrector to an input or output to correct the color of the video. The CUF3-ADD-I/OPLUS option provides additional resources.
  - Proc Amp Color Correction
    The Proc Amp video correction allows you to adjust the gain, offset, black level, and gamma of the video signal.
  - RGB Color Correction
    The RGB color correctors allow you to adjust the red, green, and blue component gain, offset, and gamma of the video signal.
  - High Dynamic Range (HDR) and Wide Color Gamut (WCG) Conversion
    - Supported HDR and WCG Conversion
    - To Set the Switcher Dynamic Range and Color Gamut
      To properly convert input and output video sources you must set the color gamut and dynamic range that the switcher is operating in. These are the dynamic range and color gamut settings that inputs are converted to and outputs are converted from.
    - To Set the Video Input Dynamic Range and Color Gamut
      You must assign the dynamic range and color gamut of input video for that source to be converted.
    - To Set the Video Output Dynamic Range and Color Gamut
      You must assign the dynamic range and color gamut of output video for that source to be converted.
- Personality
  Personality settings allow you to configure how you interact with the control panel and switcher, as well as how the buttons on the control panel appear. All of these settings are stored in the Personality register.
- Licenses
  Software options allows you to expand the functionality or resources available to the switcher as well as operate in UHDTV1. These options can either be licensed at the time you purchase your switcher, purchased and installed later on, or temporarily licensed through the Ross Platform Manager (RPM).
- GPI Control
  General Purpose Interface (GPI) is a high/low voltage signalling protocol that allows the switcher to send simple commands to an external device, or receive commands from a device. Each pin on the GPI is set as either high (+5 Volts), or low (0 Volts), and it is the switching between high and low that sends commands to the external device, or to the switcher.
- Live Edit Decision Lists (LiveEDL)
  Edit Decision Lists are files used by non-linear editing (NLE) suites to aid in post-production. Your switcher can capture EDL data in a file that you load into your NLE suite.
- ViewControl
  The ViewControl interface through DashBoard allows you to coordinate the control over the Carbonite switcher, XPression Live Graphics System, and a Tria Playout Server all through a touchscreen interface. Through ViewControl you can select sources, perform transitions, and run custom controls.
- MultiPanel
  Each frame supports up to 3 independent control connections (Main, Satellite 1, and Satellite 2) as well as Satellite 3/SoftPanel. Each connection, with the exception of SoftPanel, can be from a control panel, DashBoard, or a combination of the two. All devices on the same control connection mirror each other.
- MIDI Controller
  The MIDI controller is used to control the RAVE audio mixer. The controller connects to RAVE through DashBoard.

To Set the Video Output Dynamic Range and Color Gamut

You must assign the dynamic range and color gamut of output video for that source to be converted.

Note: Only those sources with an I/O Processor assigned to them can have the dynamic range and color gamut configured.

Click Navigation Menu > Configuration > Outputs.
Click the Dyn. Range button for the video output that needs to be converted and select the dynamic range for the output video signal.
- SDR — Standard Dynamic Range.
- HLG — Hybrid Log Gamma.
- PQ — Perceptual Quantizer.
- SLOG3 — Sony® S-Log3.
Click the Color Gamut button for the video output that needs to be converted and select the color gamut for the output video signal.
- BT.709 (HD) — color gamut recommended for HD video signals.
- BT.2020 (UHD) — wide color gamut recommended for UHDTV1 video signals.