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Setup
Reference and video I/O setup, canvas layouts, and signalling setup.
Live Edit Decision Lists (LiveEDL)
Edit Decision Lists are files used by non-linear editing (NLE) suites to aid in post-production. Your switcher can capture EDL data in a file that you load into your NLE suite.
Timecode Setup
The switcher uses timecode data to mark the EDL file so that it can be used in the non-linear editing suite along with the feeds from the video servers. The timecode data can be either from an external timecode generator, or internally generated. An offset can be applied to both timecode sources.

Setup
Reference and video I/O setup, canvas layouts, and signalling setup.
- Network Connections
  The switcher requires a network connection for the DashBoard interface as well as any control panel you want to use.
- System Access
  Enable or disable system access and control methods such as RossTalk and FTP.
- Video Reference
  The flexible reference system in the switcher allows you to use an Interlaced video format as the reference to operate the switcher in a video format of the same frequency. Choosing a progressive video format as a reference limits you to operating the switcher only in that same video format and frequency. For example, if you have a 1080i 59.94Hz input reference you can operate the switcher in 720p 59.94Hz, but not 1080i 50Hz. However, if you have a 720p 59.94Hz input reference, you can only operate the switcher in 720p 59.94Hz.
- Video Inputs
  External video sources come into the switcher through the input HD-BNCs and internal sources are generated internally. Depending on how you want to use these video sources, or where they come from, you may want the switcher to pair them together, or associate an external device with them. Pairing two video sources together is usually used for an auto select key where an external device, such as a character generator, outputs both a key video and key alpha. Associating a video source with an external device allows special control over that device to become active when you select the source on a bus.
- Video Outputs
  The frame has a number of output HD-BNCs that can have any video source in the switcher, including Media-Store channels, aux bus, and clean feed assigned to them.
- MultiViewer
  The MultiViewer allows you to view multiple video sources from a single output BNC. Video inputs or outputs on the switcher, including Program, Preview, and Media-Store channels, can be assigned to any box on the MultiViewer.
- MultiScreen
  MultiScreen works by breaking your display into individual panels. Each panel is represented by a tile in MultiScreen and the entire display is represented by the canvas.
- Frame Sync and Format Conversion
  The frame synchronizer / format converter (FSFC) and input i-to-p converters can be used to convert video signals as well as correct mistimed, or drifting, video input signal. The frame synchronizers cannot completely correct badly formatted video, mistimed switches, signal drops, or similar issues.
- Frame Delays
  A delay of up to 13 frames in HD, or 7 frames in UHDTV1, can be added to any input that an FSFC is assigned to. This allows you to delay the timing of an input to compensate for the delay in another source. For example, in a virtual set environment it may take a few frames for the system to track the position of the camera and render the background. In this case you want to delay the foreground cameras to compensate for this delay.
- System Real-Time Clock/Date
  The switcher uses an internal clock to generate the time for the clock overlay for the MultiViewer.
- 1RU Audio Breakout Unit (ABU) Setup
  The ABU provides the audio inputs and outputs for the switcher. A video loop between the switcher and the ABU passes all audio signals.
- Audio Output
  Audio sources from the audio mixer, clip player, and Media-Store can be sent out the AES outputs of the frame.
- Color Correction (HD Only)
  The color correctors can operate as Processing Amplifiers (Proc Amps) in the HSL (Y-Cr-Cb) color space or as RGB Color Correctors in the RGB color space. Proc Amps and RGB Color Correctors apply color correction to video on input to the switcher, before the crosspoint, and on the output from the switcher. Correction applied to the input video is then available to all MEs.
- Personality
  Personality settings allow you to configure how you interact with the control panel and switcher, as well as how the buttons on the control panel appear. All of these settings are stored in the Personality register.
- GPI Control
  General Purpose Interface (GPI) is a high/low voltage signalling protocol that allows the switcher to send simple commands to an external device, or receive commands from a device. Each pin on the GPI is set as either high (+5 Volts), or low (0 Volts), and it is the switching between high and low that sends commands to the external device, or to the switcher.
- Live Edit Decision Lists (LiveEDL)
  Edit Decision Lists are files used by non-linear editing (NLE) suites to aid in post-production. Your switcher can capture EDL data in a file that you load into your NLE suite.
  - LiveEDL Setup
    You can configure your switcher to trigger multiple GPI outputs at the start, end, or both, of an EDL data capture to trigger video servers that are recording the feeds coming into the switcher. The EDL data from the switcher can then be paired with the feeds from the video servers, using the timecode data, in the NLE suite to edit or re-cut the show.
  - Timecode Setup
    The switcher uses timecode data to mark the EDL file so that it can be used in the non-linear editing suite along with the feeds from the video servers. The timecode data can be either from an external timecode generator, or internally generated. An offset can be applied to both timecode sources.
    - To Confirm External LTC Signal
      If you have an external linear timecode generator connected to the switcher, you can confirm that the switcher is receiving timecode data.
    - To Set the LTC Timecode Source
      If you are using an external timecode generator, an offset, or delay, is applied to the incoming timecode signal before it is stored in the LiveEDL data file. If you are using an internal timecode, the offset is the starting time that the switcher uses for the timecode that is stored in the LiveEDL file.
  - LiveEDL Data Capture
    Capturing EDL data is manually started and stopped from the switcher. When you select to start capturing EDL data, and GPI outputs set to trigger on start are triggered. If a pre-delay has been set for the GPIs, the switcher does not start capturing EDL data until the pre-delay time has finished.
- ViewControl
  The ViewControl interface through DashBoard allows you to coordinate the control over the Carbonite switcher, XPression Live Graphics System, and a Tria Playout Server all through a touchscreen interface. Through ViewControl you can select sources, perform transitions, and run custom controls.
- MultiPanel
  Each frame supports up to 3 independent control connections (Main, Satellite 1, and Satellite 2) as well as Satellite 3/SoftPanel. Each connection, with the exception of SoftPanel, can be from a control panel, DashBoard, or a combination of the two. All devices on the same control connection mirror each other.
- MIDI Controller
  The MIDI controller is used to control the RAVE audio mixer. The controller connects to RAVE through DashBoard.

Timecode Setup

The switcher uses timecode data to mark the EDL file so that it can be used in the non-linear editing suite along with the feeds from the video servers. The timecode data can be either from an external timecode generator, or internally generated. An offset can be applied to both timecode sources.

Note: Ultra Solo does not support externally generated timecode, LTC, and must use the internal clock data.