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Setup
Reference and video I/O setup, canvas layouts, and signalling setup.
Live Edit Decision Lists (LiveEDL)
Edit Decision Lists are files used by non-linear editing (NLE) suites to aid in post-production. Your switcher can capture EDL data in a file that you load into your NLE suite.
LiveEDL Data Capture
Capturing EDL data is manually started and stopped from the switcher. When you select to start capturing EDL data, and GPI outputs set to trigger on start are triggered. If a pre-delay has been set for the GPIs, the switcher does not start capturing EDL data until the pre-delay time has finished.

Setup
Reference and video I/O setup, canvas layouts, and signalling setup.
- Network Connections
  The switcher requires a network connection for the DashBoard interface as well as any control panel you want to use.
- Video Reference
  The flexible reference system in the switcher allows you to use an Interlaced video format as the reference to operate the switcher in a video format of the same frequency. Choosing a progressive video format as a reference limits you to operating the switcher only in that same video format and frequency. For example, if you have a 1080i 59.94Hz input reference you can operate the switcher in 720p 59.94Hz, but not 1080i 50Hz. However, if you have a 720p 59.94Hz input reference, you can only operate the switcher in 720p 59.94Hz.
- Video Inputs
  External video sources come into the switcher through the input HD-BNCs and internal sources are generated internally. Depending on how you want to use these video sources, or where they come from, you may want the switcher to pair them together, or associate an external device with them. Pairing two video sources together is usually used for an auto select key where an external device, such as a character generator, outputs both a key video and key alpha. Associating a video source with an external device allows special control over that device to become active when you select the source on a bus.
- Video Outputs
  The frame has a number of output HD-BNCs that can have any video source in the switcher, including Media-Store channels, aux bus, and clean feed assigned to them.
- MultiViewer
  The MultiViewer allows you to view multiple video sources from a single output BNC. Video inputs or outputs on the switcher, including Program, Preview, and Media-Store channels, can be assigned to any box on the MultiViewer.
- MultiScreen
  MultiScreen works by breaking your display into individual panels. Each panel is represented by a tile in MultiScreen and the entire display is represented by the canvas.
- I/O Processors
  The Input/Output Video Processors are independent video processing engines that allow you to perform FSFC and color correction functions on specific inputs or outputs. Once an I/O Processor has been assigned to an input or output, it can be used to frame sync, format convert, and color correct.
- Frame Sync and Format Conversion
  The frame synchronizer / format converter (FSFC) and input i-to-p converters that can be used to convert video signals as well as correct mistimed, or drifting, video input signal. The frame synchronizers cannot completely correct badly formatted video, mistimed switches, signal drops, or similar issues. Output format converters are only available on outputs 5-14.
- Frame Delays (HD and UHDTV1 Only)
  A delay of up to 13 frames in HD, or 7 frames in UHDTV1, can be added to any input that an FSFC is assigned to. This allows you to delay the timing of an input to compensate for the delay in another source. For example, in a virtual set environment it may take a few frames for the system to track the position of the camera and render the background. In this case you want to delay the foreground cameras to compensate for this delay.
- System Real-Time Clock/Date
  The switcher uses an internal clock to generate the time for the clock overlay for the MultiViewer.
- Audio Breakout Module Setup
  The 1RU Audio Breakout Unit (ABU) provides the audio inputs and outputs for the switcher. A video loop between the switcher and the 1RU Audio Breakout Unit passes all audio signals.
- AES Audio Output
  Audio sources from the audio mixer, clip player, and Media-Store can be sent out the AES outputs of the frame.
- Color Correction
  The color correctors can operate as Processing Amplifiers (Proc Amps) in the HSL (Y-Cr-Cb) color space or as RGB Color Correctors in the RGB color space. Proc Amps and RGB Color Correctors apply color correction to video on input to the switcher, before the crosspoint, and on the output from the switcher. Correction applied to the input video is then available to all MEs. Output based correction is only available on output BNCs 5 to 14.
- Personality
  Personality settings allow you to configure how you interact with the control panel and switcher, as well as how the buttons on the control panel appear. All of these settings are stored in the Personality register.
- Licenses
  The switcher comes with all the hardware required for the available options. These options can either be licensed at the time you purchase your switcher, or purchased and installed later on.
- GPI Control
  General Purpose Interface (GPI) is a high/low voltage signalling protocol that allows the switcher to send simple commands to an external device, or receive commands from a device. Each pin on the GPI is set as either high (+5 Volts), or low (0 Volts), and it is the switching between high and low that sends commands to the external device, or to the switcher.
- Live Edit Decision Lists (LiveEDL)
  Edit Decision Lists are files used by non-linear editing (NLE) suites to aid in post-production. Your switcher can capture EDL data in a file that you load into your NLE suite.
  - LiveEDL Setup
    You can configure your switcher to trigger multiple GPI outputs at the start, end, or both, of an EDL data capture to trigger video servers that are recording the feeds coming into the switcher. The EDL data from the switcher can then be paired with the feeds from the video servers, using the timecode data, in the NLE suite to edit or re-cut the show.
  - Timecode Setup
    The switcher uses timecode data to mark the EDL file so that it can be used in the non-linear editing suite along with the feeds from the video servers. The timecode data can be either from an external timecode generator, or internally generated. An offset can be applied to both timecode sources.
  - LiveEDL Data Capture
    Capturing EDL data is manually started and stopped from the switcher. When you select to start capturing EDL data, and GPI outputs set to trigger on start are triggered. If a pre-delay has been set for the GPIs, the switcher does not start capturing EDL data until the pre-delay time has finished.
    - To Start Capturing EDL Data
      The EDL data can be stored to one of 1000 LiveEDL files stored on the switcher. A separate file is created for each ME when the additional MEs are used.
    - To Stop Capturing and Save EDL Data
- ViewControl (HD or UHD Only)
  The ViewControl interface through DashBoard allows you to coordinate the control over the Carbonite switcher, XPression Live Graphics System, and the BlackStorm Playout Server all through a touchscreen interface. Through ViewControl you can select sources, perform transitions, and run custom controls.
- MultiPanel
  Each frame supports up to 3 independent control connections (Main, Satellite 1, and Satellite 2) as well as Satellite 3/SoftPanel. Each connection, with the exception of SoftPanel, can be from a control panel, DashBoard, or a combination of the two. All devices on the same control connection mirror each other.
- MIDI Controller
  The MIDI controller is used to control the RAVE audio mixer. The controller connects to RAVE through DashBoard.

LiveEDL Data Capture

Capturing EDL data is manually started and stopped from the switcher. When you select to start capturing EDL data, and GPI outputs set to trigger on start are triggered. If a pre-delay has been set for the GPIs, the switcher does not start capturing EDL data until the pre-delay time has finished.

When you stop capturing EDL data, you have the option to delete the data, or save it to a USB drive. You can also connect to the switcher via FTP and download the files directly to your editing suite. Use the username liveedl and password password to create the FTP connection to the switcher.

Keep the following in mind:

Keep the following in mind when reviewing the EDL data from the switcher:

When a MediaWipe is selected as the transition type, the switcher records the transition duration as the cut point frame multiplied by two (2). This is to ensure that the cut point is recorded accurately.
If you used more than one ME, or Aux bus, in your shot, a separate EDL file is saved for each ME and Aux bus. The ME re-entry is shown as being selected on the first ME, and the source selections on the second ME are saved to the separate LiveEDL file.